Horror films released in the 1970s are listed in the following articles: List of horror films of 1970. But the decade also unleashed cinematic oddities galore, most of which. stable diffusion ebsynth The 1970s produced acclaimed horror films like The Texas Chainsaw Massacre, The Exorcist, Jaws, Carrie, and Halloween. Takashi Shimizu’s film The Grudge (Ju-on) welds the stylistics of the new wave of J-horror to a traditional haunted house scenario, while tipping a hat to the always popular anthology-style horror films. The Uninvited (1944) holds a distinct place in cinema history as one of the best early examples of a haunted house movie that embraces its supernatural elements.The Grudge (2002) Following the global success of Hideo Nakata’s Ring (1999), Japanese ghosts were everywhere for a few years. wiki lettera_m.pdf3 Best Haunted House Movies Ever The Uninvited (1944) Despite taking place in England, The Uninvited was shot in Arizona and California. And after ramping up in the '50s, British horror entered a prestige. As an adult, she returns to her old orphanage with her husband Carlos (Fernando Cayo) and their adopted son Simón (Roger Príncep) with plans to start a home for disabled children.This includes horror classics like Eyes Without a Face, Kwaidan, Black Sunday, Blood and Black Lace, and Hour of the Wolf. The Orphanage (2007) Laura (Belén Rueda) grew up an orphan. What's your favorite haunted house movie from the 70s? filter list by All Voters rank it your way 1 The Amityville Horror 1979 23 votes Actors: James Brolin, Margot Kidder, Rod Steiger, Don Stroud, Natasha Ryan Directed by: Stuart Rosenberg So far, Ju-On franchise includes 11 movies, a series of novels and comic books as well as a computer game. His white mask is a screen for us to project all our fears onto.Any haunted house movies released in the 1970's. He is a stand-in for relentless, emotionless death itself. Yes, "Halloween" also has POV killer shots, but similarly to "Black Christmas," there's a lot more going on beneath the surface. Maybe nothing as serious and complicated as a relationship dissolving because one of them wants to terminate a pregnancy and the other doesn't, but Michael Myers was never about a crazy guy in a mask. This adds a depth to the characters that is typically missing from the more body-count-focused slashers. Her boyfriend does and the debates they have around this subject are nuanced, not even just for its time. Buried in amongst the creepy imagery and disturbing slayings is a story about a young college girl whose relationship is crumbling because she got pregnant and doesn't want to keep it. The movie takes place at a sorority house over Christmas break and the residents of the house are picked off one by one.īut "Black Christmas" has a little more on its mind than most slashers. "Black Christmas" has a faceless killer and we see a good amount of the story through his POV. Saying that a "Texas Chain Saw Massacre" knockoff is indicative of the cinema at that time is a head-scratcher at best, even if it was an accurate critique of John Carpenter's "Halloween." And it is not. My point is that the 1970s were objectively an amazing period of time for all cinema, especially genre. There was a lot of drive-in schlock as well, some terrible films that will be forgotten by time and some that are super fun and will survive as cult oddities, but that's true of just about any decade of cinema you remember the hits. We had mainstream serious horror like "Jaws," "Carrie," "The Omen," "Alien," and, of course, "The Exorcist." We also had artistic horror films like Dario Argento's "Suspiria," David Lynch's "Eraserhead," and the dream logic insanity of Don Coscarelli's "Phantasm." This was an era where horror transcended its usual boundaries. First off, he seems to imply that the state of horror cinema of the 1970s was less than ideal when that was objectively not the case.
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